The Bechtler Ensemble gives concerts in intimate settings as well as in museums and educational institutions. During many of these concerts, which are usually about one hour in length, slides of the art from the Bechtler collection as well as images from the art in its original setting in the Zürich home, are shown. Musical compositions are chosen from the same time period as the art and, before each piece, a brief explanation is given as to why the composer and artist were paired. This multi-disciplinary approach seems to greatly enhance the experience of the audience. The concerts are described as: “exciting,” “de-stressing,” “fun and ‘informative ” to name a few. Tanja, who is the granddaughter of Hans and Bessie Bechtler, adds to the mix colorful anecdotes about growing up amidst a house full of art.
Tanja Bechtler holds a Bachelor of Music degree from the North Carolina School of the Arts and a Master of Music Degree from the Manhattan School of Music.
Tanja was honored with the prestigious Women of Achievement Award, 2015 , from The General Federation of Women’s Clubs of North Carolina, an international volunteer service organization. The Women of Achievement Award recognizes outstanding women for their significant contributions to the state of North Carolina.
Bechtler served as an orchestral player for the Charlotte Symphony Orchestra for 12 years. She is the founder and director of the Bechtler Ensemble and in residency at Queens University. She also spearheaded the Charlotte Composers Forum with regional composers from the Carolinas. This music series can be heard at Queens University, Central Piedmont Community College, the Bechtler Museum, Chicago IL, just to name a few. She has recorded with her duo partner, guitarist Bob Teixeira ,the CD titled “Shade Grown” and “ Without Borders “. Film recordings include Elie Wiesel’s and Robert Shaw’s documentaries in conjunction with film composer Fred Story. Tanja also serves on the faculty of Gardner-Webb University. She is an active participant of the Practice HORA that has enabled her to continue and create her career path after she left the symphony.
Cynthia Lawing, pianist, is a native of Hong Kong. She received her musical training from Wittenberg University and The Cleveland Institute of Music. Her teachers include William Kurzban and Vitya Vronsky of the Babin-Vronsky duo piano team.
Cynthia has performed throughout Asia, Europe and South America as a soloist and chamber musician. She and her husband William Lawing (trumpeter) recently performed in Germany where their American music program was well received.
Currently she teaches at Davidson College, frequently serves as an adjudicator and clinician.
Cynthia is a member of the duo piano team Cynthia Lawing and Gloria Cook.
Cynthia was one of the founding members of the Charlotte Chamber Music Society whose performers, primarily members of the Charlotte Symphony regularly performed chamber music concerts at the Mint Museum’s Golden Circle Theatre.
Hanny Schmid Wyss
The renowned Swiss pianist Hanny Schmid Wyss has performed as a soloist with major orchestras in the United States, Switzerland, Holland, Germany and Romania and has recorded and appeared on TV and Radiobroadcasts in Italy, Germany, Austria, the United States, Switzerland, Holland, Belgium, Czech Republic and Romania. She is acclaimed for her “masterful performance” in recitals and chamber music. Also she is a distinguished honorary member of Sigma Alpha Iota.
Hanny Schmid Wyss’ repertoire ranges from early Baroque to the late 20th Century’s contemporary music. Several composers have dedicated concertos and piano works to her, which she premiered with great success.
She tours extensively, gives Master Classes, and is often invited as juror at many competitions. She is a juror for the Swiss Foundation “Dr. Robert and Lina Thyll-Dürr” who gives scholarships to students at the “ Hochschule für Musik und darstellende Kunst” in VIENNA. Hanny Schmid Wyss was also the “Program-Director” for the outstanding Thyll Concerts in Vienna. In addition, she was chosen to be a Juror for the famous “Rahn-Stiftung” giving scholarships to highly gifted, very advanced students in Zürich.
Paul Nitsch is the Carolyn G. McMahon Professor of Music and Artist-in-Residence on the faculty of Queens University of Charlotte, North Carolina. He also serves as Artistic Director for the Friends of Music at Queens University of Charlotte and as Executive Director for the Swannanoa Chamber Music Festival.
For twelve years, Dr. Nitsch also served as Assistant Director, Pianist-in-Residence, and Pianist of the Garth Newel Piano Trio at the Garth Newel Music Center in Hot Springs, Virginia. He subsequently served for nine years as Artistic Director for the Fontana Concert Society in Kalamazoo, Michigan, where he earned an ASCAP award for “adventuresome programming.” He is particularly devoted to the study and performance of chamber music with piano. He has collaborated with many ensembles, including the Solaris Wind Quintet and the Cavani String Quartet, and many other chamber musicians in frequent performances of almost all of the standard piano chamber music literature during the last three decades, as well as many contemporary and commissioned works. His performances have been heard nationally on National Public Radio, as well as locally on WQXR in New York City, WCLV in Cleveland, and in Michigan, Virginia and North Carolina.
Paul Nitsch was born in Great Bend, Kansas, and grew up in Boulder, Colorado. He studied piano with professors George Crumb, David Burge, and Paul Parmelee at the University of Colorado during his junior high and high school years.
Dr. Nitsch earned the Bachelors and Masters degrees in piano performance at the Peabody Conservatory of Music in Baltimore, Maryland. His teachers there were Walter Hautzig and Leon Fleisher. He was awarded two Fulbright Scholarship Grants for study with Dieter Weber and Noel Flores at the Hochschule für Musik und Darstellende Kunst in Vienna, Austria. He earned his Doctor of Musical Arts degree in Collaborative Piano at the Cleveland Institute of Music with pianist Anne Epperson. As adjudicator for numerous piano festivals and competitions, he most recently served as judge for the Fischoff National Chamber Music Competition at Notre Dame University.
Peter deVries received his Bachelor and Master degrees in music from Indiana University of Music. He is an international soloist and has performed with the Knoxville Symphony Orchestra.
He was a professor of violin for 12 years and was the winner of the Presidential Distinguished Teacher Award in 1992.
Nina Kogan studied in Russia and holds a B.A. in piano teaching and accompanying and a B.S. in engineering.
After graduating from music college, she continued her education with private voice and piano teachers in Moscow.
Currently she works as an accompanist, teaches piano privately, performs extensively as a solo pianist and accompanist.
Joseph Meyer, violin, is an active soloist, chamber musician, and orchestral leader who has been garnering critical acclaim throughout the country. He has been described by the San Francisco Classical Voice as “a standout player, both technically brilliant and musically innovative.” The Miami Herald has called his solo playing “exquisite”, while the Boston Globe described his chamber music performance of the Carter 1ststring quartet as “an extraordinary event.” Former positions in orchestras include concertmaster of the Louisiana Philharmonic, guest concertmaster of the Knoville and San Antonio Symphony, and a member of the the Minnesota Contemporary Ensemble.
Mr. Meyer is currently the associate concertmaster of the Charlotte.
The Bechtler Ensemble is pleased to join forces with poet Larry Sorkin. Larry and Tanja have been collaborating with an innovative approach to create a dialogue between poetry and music. Over the last five years they’ve tackled themes like the ineffable, spirit and breath, and love and loss that Larry has derived from his studies in Jungian and Depth Psychology. Besides writing and performing, Larry organizes events and facilitates workshops based on his experience with men’s issues and support. You can find some of Larry’s published work on Interpoezia.net and in the collections “Love” by Jacar Press and “Men of Their World”. He was recently nominated for a Pushcart Prize.
“It was a poetry recital that sounded almost like a jazz recital – what wonderful interplay.
And always her tone just perfectly balances your voice and words
I loved it”
“I want to thank you and Tanja for an enjoyable and very powerful evening of music and poetry. I knew it would be good, I just didn’t expect to be that good. The combination of your reading of the poetry you had selected as well as written and Tanja’s beautiful music were remarkable and very moving.”
Graduating from the Eastman School of Music with a Bachelor’s degree in Viola Performance in 2004, violist Kirsten Swanson spent 2005-2007 as Assistant Principal and section violist with the Charlotte Symphony. She recently completed her Masters Degree at the Longy School of Music in Cambridge, MA.
An extensive orchestral musician since high school, Kirsten has played with the North Carolina Symphony, the Rochester Philharmonic Orchestra, West Virginia Symphony, Vermont Symphony, and Aspen Festival and Chamber Orchestras, to name a few.
Chamber music being her first love, Kirsten co-founded the Atticus String Quartet, a semi-professional quartet based in Eastern North Carolina. She was a regular on the Honor’s Chamber Recitals during college and was even featured on Eastman’s promotional cd distributed across the world. She has collaborated with such artists as Jon Nakamatsu, Calin Lupano, Garth Knox, and members of the Pacifica Quartet and enjoys playing with the faculty string quartet at the University of North Carolina- Charlotte.
An avid fan of contemporary music, Kirsten has premiered new works by Eastman and World composers and has worked with many living composers as a member of Ossia and Musica Nova, new music ensembles at Eastman and with HGNM, the new music group at Harvard University. Music has taken Kirsten across the United States and Europe as a violist in festivals such as the Garth Newel Chamber Festival, Kneisel Hall, the American Institute of Musical Studies Festival Orchestra in Graz, Austria, Master Classes at the Sorbonne in Paris, France, Master Classes in San Sebastian, Spain, and, as a New Horizons Fellow, the Aspen Music Festival in Aspen, Colorado.
Her principal teachers include Joanne Bath, John Graham, and Roger Tapping. Currently, Kirsten is the adjunct viola professor at the University of North Carolina -Charlotte and enjoys playing often with the Charlotte and North Carolina Symphonies.
Tatiana Karpova joined the Charlotte Symphony shortly after immigrating to the United States in 1999.A graduate from the Sverdlovsk Conservatory,she continued her musical studies at the Moscow Gnessin Institute of Music, where she completed her DMA. After winning a second prize at the David Oistrakh Violin Competition in1988, Ms. Karpova began a busy performing career as a soloist and chamber musician.Her concert engagement took her on many tours throughout the former USSR, including performances with the Uralic Symphony, Odessa Philharmonic,Budapest Chamber Orchestra and Moscow Philharmonic. In addition to her performing accomplishment, Ms. Karpova has been an active teacher. In 1994 she joined the faculty at the Novi Sad Academy of Music and also taught at the Ural State Conservatory. Currently,Ms. Kapova makes her home in Charlotte, where she frequently performs with different chamber music groups in additions to her busy schedule with the Charlotte Symphony.
Mark Adam Watkins
Like many composer/arrangers, for the last 20 years, Mark Adam Watkins (BMI) has found an affinity for the eclectic. With a Jazz Piano degree in tow from California State University, Long Beach, he wrote for Improv Acting studios (bang. studio, Improv Olympic, the Hothouse), commercial music houses (King Klong Music Group, Nashville Tracks) & scored for TV/Film. After his grad work in Composition at the Henry Mancini Institute & California State University, Los Angeles, he teamed up with the Quadre horn quartet, which inspired chamber works with varied instrumentation as he developed a partnership with Solid Wood Music, and Alry Publishing.
Mr. Watkins spent many years orchestrating for the Pagaent of the Masters’ Orchestra in Laguna Beach, California; The New Four Freshman; the Vitamin Rock String Quartet, & music directing music theatre tours & tributes to the Rat Pack. He has instructed at the Stagedoor Manor Performing Arts Center; CSU, Los Angeles, California Baptist University, & Central Piedmont Community College. Some highlights include working on projects with: Lou Rawls, Al Jarreau, Bill Conti, Beyonce, JC Chassez, Debbie Harry, Lisa Loeb, Jack Sheldon, & the Trans-Sylvanian Orchestra. He currently works as a free lance composer/arranger, & moonlights as a pianist with the Bechtler Ensemble, North Carolina, Charlotte, & Greensboro symphonies, Opera Carolina among other ensembles ad hoc.
Robert Teixeira is currently on the faculty at Queens University of Charlotte, and Central Piedmont Community College. In addition to his Charlotte based teaching, he is active as a performer and guest instructor with recent invitations to instruct/perform at East Carolina University, Universities of Texas at Austin and San Antonio, Southwestern University, and Kennesaw State University. In recent years Robert has collaborated with award winning guitarist, Mary Akerman in concert appearances and in the 2010 cd release of “Music for Two Guitars”. With a continuing commitment to education, Robert recently composed a set of five etudes for right hand development that are published by Clear Note Publications.
Together this husband and wife team, “Bob and Tanja” explore music for the guitar and cello. Their CD “Shade Grown” represents a ten year journey of developing new arrangements and original music for this not so common instrumental combination. In addition, they have also collaborated with composer David Crowe and produced and released the CD “Passage”, in the world music group, Without Borders.
Originally from Rochester, New York, violinist Lenora Cox Leggatt began studying at age 7 and made her solo debut with the Rochester Philharmonic Orchestra at age 16. She earned her Bachelor of Music degree from the Eastman School of Music studying with Catherine Tait and Zvi Zeitlin, and Master of Music degree from the Cleveland Institute of Music with Donald Weilerstein.
Lenora served as concertmaster for The Cleveland Opera Orchestra for eight years, and for the former Ohio Chamber Orchestra and Cleveland San Jose Ballet. She has appeared as concertmaster under conductors such as Leonard Slatkin and Andre Previn, and as soloist under Peter Bay and Leslie Dunner. Ms. Leggatt has enjoyed performing in the violin sections of the Cleveland Orchestra, Rochester Philharmonic, Charlotte Symphony and San Diego Symphony, and was a tenured member of the Calgary Philharmonic for three years.
A three-year fellowship student at the Aspen Music Festival, she has also performed at music festivals in Tanglewood, Basel and London where she gave a world premiere performance with her twin sister—oboist, Johanna Cox Pennington. In November 2013, Lenora and Johanna performed together again at Carnegie Hall where they were critically acclaimed as “the highlight of the concert”.
Pianist Yoko Yamada , a native of Japan, and resident of Chicago, performs as a collaborator throughout the United States, Europe, and Japan, particularly with notable brass and woodwind performers of major orchestras. These include the Chicago Symphony Orchestra, San Francisco Symphony, New York Philnarmonic, Boston Symphony Orchestra, Detroit Symphony, Berlin Philharmonic. Vienna Philharmonic, and the Lyric Opera of Chicago.
Ms. Yamada, who has appeared on classical music radio WGBH in Boston and WFMT in Chicago, has performed more than 500 pieces for brass and woodwind.
Yoko Yamada began her career as pianist while studying at Japan Toho High School of Music. She received a Bachelor of Music degree in piano performance from Toho Gakuen School of Music in Japan and a Master of Music degree in piano performance from the New England Conservatory of Music in Boston.
Tim Hudson is a Yamaha Performing Artist, Summit Recording Artist, Artist/Teacher of Trumpet at Gardner-Webb University, on The International Trumpet Guild Board of Directors, a founding member of Carolina Brass and in 2015 joined The Rodney Marsalis Philadelphia Big Brass.
As a performer, Mr. Hudson has been a member of professional orchestras in the U.S. and abroad under world class conductors including Lorin Maazel, Yoel Levi, Leonard Slatkin, Grant Llewellyn, Andrew Litton, James DePreist, Gerard Schwarz, Mariss Jansons, Gunther Schuller, Skitch Henderson and Enrique Batiz. He has held the Principal Trumpet position with the Knoxville Symphony, Chamber Orchestra of Northern New York, New England Philharmonic, Symphony Orchestra of the State of Mexico and the NC Opera. He is also a former member of the Charlotte Symphony, International Orchestra (Israel), New England Chamber Orchestra, and the Camerata Chamber Orchestra, and has played with the Oslo Philharmonic, Mid-Atlantic Chamber Orchestra, Boston Philharmonic, Greensboro Symphony, Winston-Salem Symphony, Charleston Symphony, Fort Wayne Philharmonic, and the North Carolina Symphony.
He has performed throughout the US, Mexico, England, New Zealand, Taiwan, Israel, China, Austria and Italy. His interest in new music has led to dozens of world premiere performances and recordings including Copper Lake Fantasy by David P. Jones, written for Mr. Hudson and Boston Symphony Orchestra Pianist Deborah Dewolf Emery, Piedmont Suite for Carolina Brass by Arthur Frackenpohl, and Language Of The Soul by Gwyneth Walker, which Mr. Hudson premiered live on NPR’s The State of Things.
As an educator, Mr. Hudson has served on the faculty at the following schools: The Crane School of Music/SUNY Potsdam, University of TN Knoxville, Tunghai University (Taiwan), UNC School of the Arts, UNC Chapel Hill, High Point University, University of SC Columbia, and has been the trumpet professor at Gardner-Webb University since 2006. For nine years, he was on the faculty at The New England Music Camp and later, the Artist/Faculty of the Affetti Music Festival in Anchorage, Alaska.
Mr. Hudson is the founding member and Director of the Carolina Brass, an ensemble committed to arts in education. Under his direction, Carolina Brass has become a national touring ensemble and Summit Recording Artist, with compact disc recordings distributed internationally on the Summit Record label and regular broadcasts on National Public Radio and UNC-TV.
In addition, Mr. Hudson maintains a very active performance schedule playing an average of 250 jobs each year. These include performances with The Rodney Marsalis Philadelphia Big Brass, Carolina Brass, Charleston Symphony, Carolina Ballet, the Charlotte Symphony, the NC Symphony playing with The Bolshoi Ballet, etc, and for the past 20 years, backing up pop/jazz artists such as Ray Charles, The Temptations, Manhattan Transfer, Neil Sedaka, Tony Bennett, Branford Marsalis, Mannheim Steamroller, Kenny Rogers, Mike Cross, Bobby Vinton, The Moody Blues, Chuck Mangione, Marvin Hamlisch, Josh Groban, Idina Menzel and Dizzy Gillespie.